Although most of of what we do here at iMore is write, we also do a lot of photography. We strive to make iMore look beautiful and value good photography, whether it's taken with an iPhone or professional DLSR. But although we all have the same vision, the ways we go about reaching our final images are completely different. Whether it's using our favorite iPhone apps, or highly professional tools like Photoshop, each of us have our own workflows.
Ally Kazmucha, how-to editor
I take photos on a regular basis for both iMore and for AnoStyle. I do almost 100% of my editing and exporting from my iMac or MacBook Pro. I've never fancied editing photos on iPhone or iPad and have yet to find any program that makes me change my traditional workflow. It's just faster on a desktop. The most I'll do on an iPad is use a camera kit to upload photos to iPhoto for iOS in order to perform quick edits and share them if time is an issue.
As far as gear goes, I use a Nikon D7000 with a variety of different lenses. My main lenses are my NIKKOR 50mm f/1.8 and my 35mm f/1.8. They aren't super expensive lenses but they're extremely versatile when it comes to product shots. Probably 90% of the photos I take are with one of these two lenses.
I always try and take the best photo I possibly can in-camera but as with any kind of photography, editing programs and knowing how to use them are extremely important. For this, I use Adobe Photoshop CS6 and on occasion, Lightroom 4. I always shoot in RAW format because as anyone familiar with photography knows, when it comes to editing, RAW formats are more forgiving. They do, however, take up lots more storage space. That means it's good to have extra memory cards on standby. I almost never dump by cards so I keep a bunch on hand for when I need them.
For post processing from start to finish, I open my images in camera raw and edit settings such as exposure, clarity, temperature, and anything else I feel needs to be tweaked. Once I'm pretty much satisfied, I'll open the photo in Photoshop for final editing. This is where I'll adjust my black and white levels if needed and tone anything else. I typically always take product photos with device screens off unless I'm in a hurry. This prevents the screen from looking blue or yellow. This is where I'll edit in screens, mask or blur anything I need to, and do any final touchups. Once that's done, I'll constrain images accordingly and choose a good crop angle depending on what I'm using them for, followed by adding any appropriate watermarks. Finally, we're ready to export and save for web.
From here, it goes wherever it needs to go, whether that be to iMore or on the AnoStyle site.
Richard Devine, senior editor
I'm not what you'd call a big photographer, in fact, I'm probably the furthest away from that of anyone on the iMore team. But, obviously our work here calls for regular photo taking, so everything I shoot for Mobile Nations is done at present on a Panasonic Lumix DMC-G2 Micro 4/3 camera. I initially switched to using Micro 4/3 following last years IFA show in Berlin, where I decided a DSLR was too big for me to lug around the show floor. Micro 4/3 offers the flexibility of interchangeable lenses, but in a much smaller form factor. Most of my photos are taken using a 14-42mm lens, though at some point in the future I do plan on investing in a pancake lens too.
When it comes to editing, I'm not yet settled. Currently I'm playing around with the Adobe Lightroom 5 beta, but both Pixelmator and the open source GIMP have a home on my Mac. For a free tool, GIMP is surprisingly powerful, and has long served me well and confuses me much less than some of the other programs out there. But since taking good photos is half the battle, that's where my efforts will be focused for the time being. Of course, all editing from my digital camera is done on a Mac, either my 13-inch Retina MacBook Pro or my Mac Mini. Photos look gorgeous on the rMBP, but I have a 23" monitor attached to the Mini, which is handy when I need to get a lot done at once.
I actually spend more time shooting photos with my iPhone. I enjoy this kind of casual photography, snapping things and sharing them with my friends and family, and playing around with various filters and editing apps. I use Camera+ by default on my iPhone, I love the Lightbox on it, it helps me curate my photos before they save to my ever increasing camera roll. It also uses iCloud sync, so I can pretty quickly look at the shots on my iPad, and tweak them there if I desire. When it comes to editing apps, Snapseed is number 1, I just love how quick and easy it is to alter the photos and share them out. Mainly to Google+, but also I share a lot via Twitter and Instagram, and I'm just getting into Oggl by Hipstamatic.
For a while now Dropbox has been the de-facto storage service, by way of the auto-upload feature. But, because I'm lazy I now have a massive file filled with almost a years worth of images! The recent Flickr overhaul has me wanting to use it more, but I really would like an auto-upload function.
Leanna Lofte, App & Photography Editor
I use two different cameras: my iPhone and Nikon D800. My iPhone is primarily used for snapshots of my kids and other various events of my life, and I use my Nikon for all the photography I do for iMore as well as professional photography of newborns, families, and my kids.
On my iPhone, I usually use the built-in camera app because I can quickly access it from the Lock screen. Since most of my iPhone photos are of my kids, getting to the camera quickly is key to capturing those random moments. After I take a series of photos, I usually open the best one in Instagram, apply the Sierra filter, and share to Facebook and Twitter. It's all about speed for me. These pictures are never perfect, but I will forever cherish them. For collages, I usually use Fuzel Pro.
What I love about sharing with Instagram, is it automatically adds the photos to an Instagram album in my Photo Library. My Camera Roll is flooded with groups of the (almost) same photo and remembering which one had the best smile or pose is impossible when trying to quickly find a photo to show to someone. Instead, I just jump into my Instagram folder and can quickly find anything that I deemed sharable.
I also have three Photo Stream albums that I regularly add to: one for each of my daughters, and one for photos of my daughters together. These albums are shared with about 10 different family members. I created separate albums because it makes it easier for me to find photos of either one of my daughters.
For other iPhone photography that I'm trying to be more careful and artistic with, I use Kitcam to take the photos and do some basic editing. Then I open in Photoforge 2 to complete the editing process. If I'm looking for a specific look, I may open in one of the other many editing apps I have installed on my iPhone, like Mextures. Even though the iPad is an excellent device for editing photos, I quite honestly rarely use it.
I have two lenses that I regularly use with my Nikon D800: Sigma 50mm f/1.4 and Nikon AF-S Micro Nikkor 105mm f/2.8G. I shoot in RAW and import in Lightroom as DNG for photo management and first round of editing. For every session that I import into Lightroom, I add tags, location if appropriate, and create smart collections.
My least favorite part of photography is the curating process, but Lightroom makes it bearable. I go through every photo and either mark it as rejected or give it a star value. Next, I mass-delete everything that's been rejected and create a smart collection for all photos with 4+ stars. I go through every photo in this collection and flag the best ones and create a smart collection of the flagged images. Once I've narrowed it down to the best of the best, I do some basic editing and masking if needed. If more work is needed, I export to Photoshop and do more detailed editing.
For most photos I take for iMore, I skip Lightroom. Instead, I drag the image I'm going to use straight from my SD card to my desktop, open in Camera Raw, do basic editing, then finish up in Photoshop. I've created actions that resize and watermark the photos quickly. Once I save for web and upload into Drupal, I trash the images. Since I usually only do one photo at time for iMore, this is the quickest. But for big shoots like galleries of new devices, I use Lightroom.
Rene Ritchie, editor-in-chief
With my iPhone, I use the built-in Camera app for anything quick, because the fast access from the Lock screen gives Apple a home court advantage that's all but unbeatable. When I have more time, I use KitCam because it provides a dizzying array of options. I share photos on Instagram and sometimes Google+, though mostly just to troll food pics. If I have to edit while mobile, I'll jump into SnapSeed, until Google kills it. If I'm using my iPhone to shoot a trade show or a review, I'll use an olloclip for macro or wide-angle.
I'd only use my iPad camera in case of emergency. For example, if I was reading a comic and suddenly saw a Sasquatch pull up to Starbucks. (Though if the iPad is your only mobile camera, it's by all means serviceable.)
To transfer iPhone (and iPad -- mainly screenshots) photos to my Mac, I rely on Photo Stream. As long as my device is above 20% charge and on the same Wi-Fi network, it "just works". I keep Photo Stream switched on in iPhoto rather than Aperture, because iPhoto lets me drag into other apps, like Photoshop whereas Aperture is a pain in the ass for that kind of stuff.
For iMore photography and videography, I use a Canon 5D Mark III. I'm a decent artist with an okay eye, but I've learned to throw technology at my lack of photography skill. The sensor is so big, the low-light so forgiving, that I can general salvage even the worst photo in post. It's a crutch and I'd rather learn to get everything in-camera, but pragmatism is a hell of a dictator. I keep the 5D on a Carry Speed strap for walking around, or a Manfrotto 685B monopod with a Manfrotto 128RC head. For video, I have a SmallHD monitor so it's easier to keep focus, as well as boom and wireless lav mics for audio.
My lens collection currently consists of a Canon 50mm f1.4 prime, a Tamron 24-70 f2.8, a Canon 100mm f2.8 IS macro, a Sigma 70-200 f2.8 IS, and a Canon EF 100-400mm f/4.5-5.6. I use the 50 for single person interviews and hero shots, the 24-70 for multiple person interviews, the 100mm macro for hero shots, the 70-200 for interviews where I can stand further away and get a good bokeh effect, and the 100-400 for fun.
To manage DLSR images I use Aperture, though I use Lightroom for live blogging because the workflow feels a little more sane there. Because I've been using Photoshop most of my life, I almost always right click and dump image editing into it. Photoshop works on muscle memory for me now, and I have a lifetime of little tricks to draw upon.
I'm not sure where I'm going to store all my photos yet. Right now a lot of them are on a dead Drobo I need to replace when I have time, and small external hard drive. Dropbox is an option, since I use that already, as is the new Flickr and even Google+. I just need time to figure it out. (Any recommendations appreciated!)
I would really like to become a better photographer, and Leanna, David Lundblad, Martin Reisch, and John P have given me invaluable advice and help to do so (everything I mention above I stole from them). I'm not a fast learner, but I love it, I'm lucky enough to have a job that lets me justify a lot of gear and glass, and I'm in it for the long haul.
David Lundblad, Design Director, Mobile Nations
These days I only take photos that have been planned in advance so I rarely use my phone camera but when I do it is more than sufficient at snapping good street-style photos (which I always edit in SnapSeed). I have a Canon 5D Mark 2 with a trusted prime 24mm L-series lens that I use for everything. I prefer moving around to zooming and I don't really shoot portraits. I'm a recent Mono-pod convert and now carry a Manfrotto 561BHDV.
I work with light and have three Canon 530ex speedlights, an AlienBees 800W strobe, an AlienBees Ringflash ABR800, a bunch of softboxes of varying sizes and some reflectors too. I trigger lights with three PocketWizard PlusX. Although, on most shoots I only bring one Canon 530ex speedlight, one small foldable softbox, a stand, two Pocketwizards, the 24mm and the monopod. I get up at 5am on Saturday and sometimes Sunday mornings and shoot for a couple of hours before it gets to hot (I live in Florida).
I use my phone camera exclusively for shooting lifestyle/fashion shots for my girlfriend and her active Instagram (she is a fashion blogger). On these occasions I make sure that I never shoot in direct sunlight, always position her facing away from the sun and make sure that I shoot from a low position - the phone should be at her waist height or lower.
Martin Reisch, Videographer, Mobile Nations
How do you do photography?
That's how we do our photography here at iMore. We all have different workflows, use different apps, and have our own little unique ways of doing things. Now that we've told you ours, we want to hear yours! Do you ever use something other than your iPhone for photography? What are your favorite apps? And within those apps, what are your specific workflows like? Let us know in the comments!
